Volume & Issue: Volume 4, Issue 8, February 2023, Pages 1-186 

Editorial

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Pages 1-12


Original Article

Iconology of the Steel Kashkul Decorative Patterns of the New York Metropolitan Museum, (No. 2018.665.1)

Pages 13-41

10.52547/ami.2022.1203.1108

Sahar Zekavat; Khashayar Ghazizadeh


How Lower Class Women are Represented in Iranian Cinema in the 90s (Case Study: Red Nail Polish Film)

Pages 43-68

10.52547/ami.2022.1627.1157

Farshad Goudarzi; Gholamreza Tajbakhsh; Reza Kavand


A Criticism of the Hashemi Rafsanjani Government Discourse in the Cinema of the Seventies Based on the Semiotic Analysis of the Film Glass Agency

Pages 69-96

10.52547/ami.2022.1576.1144

Milad Nourian Ramsheh; Hamed Nourian Ramsheh; Hourieh Dehghanshad


Feasibility of the Renaissance of Tehran’s Modern Industrial Architectural Heritage Being Transformed into a Cultural Centre (Case Study: Argo Plant, Railway Engine Room, Steel Factory)

Pages 97-125

10.52547/ami.2022.1571.1142

Ali Akbari; Neda Abdzadeh


Typology of False News and Corona Rumours from Iranian Social Media

Pages 127-157

10.52547/ami.2022.1598.1145

Abdolrahim Qaseminejad; Reza Zomorodi; Abdolkarim Khayami


Structural Analysis of the Film Plot in the Holy Place Film, based on the Theory of Myths

Pages 159-180

10.52547/ami.2022.1701.1171

Fereshteh Paidarnobakht; Mohammad Jafar Yousefian Kenari


Editorial

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